Ench By Sew-35:Enchanted by Charles James - 20'th Century Fashion History

The Charles James Ribbon Gown - Muslin in the background

Enchanted by Charles James - Stepping into a liminal space to study and enjoy glorious fashion designs and analyze the construction of those garments is the kind of thing that keeps me … enchanted by sewing.

Hey let’s go to the show together! To do that you can either download the ‘cast from iTunes - Click on this link to iTunes  , 
*OR* listen directly on the web, by clicking on this link


* * *
  Some months the Enchanted by Sewing podcast, journals my own sewing project accomplishments, techniques and creative ideas. Other times I share the source of  some of my sewing inspiration. This month is inspiration time, as I take you along on an another in-the-,moment fashon exhibit - a visit to the beautiful Legion of Honor Museum in San Francisco , where I went repeatedly to  view the exhibit, High Style: The Brooklyn Museum Costume Collection  exhibit of the Brooklyn Fashion Museum.

This collection – which is housed  and curated by the Metropoliton Museum of Art  in NY City- includes a wide range of the work of 20’th century designers and couturiers.

There was no way I could share all of what I saw with you.

By my third visit, I realized that , despite the charms of designers and coturiers in the exhibit- Elsa Schiaparelli and Madeleine Vionnet, just to name a few of the big names, and some that have been almost forgotten- the hands-down winner for sharing with you, was Charles James. That’s because James, and his clients and admirers, worked to see to it, that more than his beautiful garments were saved in this collection, to motivate and educate future sewists, designers and couturiers. This historical treasure trove includes sketches and muslins which really tell the story of how he worked, and what went into the garments he fashioned. They are an inspiration for the creative process.

The body of Charles James work extends from the 1930s into the1950s. The garments he designed, constructed and created were worn by high society types like  Austine Hearst, the wife of Mr. William Randolph Hearst, Jr., Millicent Rogers and Mrs. Cornelius Vanderbilt Whitney. They were also made for women with less blue blood like Jeanne Bultman the wife of the artist Fritz Bultman, and Gypsy Rose Lee!

James didn’t just sketch up a gown and expect others to produce it. He worked in the true couture tradition (some say the only American designer who did). He draped fabric in complex ways to get what he was after. Often he created specialized support systems under his gowns, to enhance and extend their third dimensions . Charles James also used fabric in studied ways working with color, light and reflectivity in addition to the hang or drape of the material. He also focused on developing seaming techniques that molded the fabric into directions he wanted it to move.

I’ll be blogging more about Charles James garments I saw at this exhibit over time . You’ll find those in the podcast show notes and at my regular blog, MeEncantaCoser.blogspot.com. So if you find Charles James as appealing as I do, subscribe to the podcast show notes or Me Encanta Coser to be notified about new James postings.


Show at the Legion of Honor in San Francisco http://legionofhonor.famsf.org/legion/announcements/collecting-fashion-20th-century-couture-costume-and-textile-arts-collection?utm_source=Fine+Arts+Museums+of+San+Francisco+E-Mail+List&utm_campaign=e68929bce3-15_3_4_e_news_general&utm_medium=email&utm_term=0_9757c5111b-e68929bce3-85610377

Other SF show links
https://legionofhonor.famsf.org/highstyle

https://legionofhonor.famsf.org/highstyle/about

~ ~ ~

The Entire (over 400 items) Charles James Collection is Freely Available and Searchable Online at the Metropolitan Museum - Brooklyn Costume Collection. This collection includes not only beautiful garments, but muslins and design sketches James created along the way.

http://www.metmuseum.org/collection/the-collection-online/search?&ft=charles+james&what=Costume&pg=1

A few Example Links in the above collection - Use this link to do your own searching

Muslin for the Ribbon Gown  http://www.metmuseum.org/search-results?ft=charles+james+muslin+ribbon

Charles James Fashion Sketches

 http://www.metmuseum.org/search-results?ft=charles+james+sketch&x=0&y=0

Clover leaf Ball Gown Sketches

http://www.metmuseum.org/collection/the-collection-online/search/156716

http://www.metmuseum.org/collection/the-collection-online/search/156717

Entire online collection at the Met.Wow!
http://www.metmuseum.org/collection/the-collection-online

Articles about Charles James

http://www.harpersbazaar.com/culture/features/a1451/charles-james-couture-profile-0214/

http://agnautacouture.com/2013/12/15/charles-james-the-first-american-couturier-was-an-egomaniac/

http://www.nytimes.com/2014/04/24/fashion/charles-james-and-me.html?_r=0

Antique-Retro Threads: Plum-Purple Pocket Dress - Mid Twentieth Century

                        

 I have  been thinking about adding embellishments to basic patterns lately, as I've been working on creating a rather

challenging embellishment on the straight skirt I've been sewing, using a pattern I created from my sloper. I haven't blogged about that project yet, other than a posting describing how I created the pattern.  

My own embellishment work got me thinking about this plum-purple frock,  that caught my eye at  the exhibit From Rationing to Rationing at the Museum of Vancouver. I saw it on our visit to Vancouver Canada in the fall of 2014. Yup, that's the visit, for which, I created my audio show  Embellishment Via Vancouver B.C.

 ~ ~ ~ 

Pensamientos/Thoughts for this plum-purple pocket dress...

Fashion doesn't necessarily move as fast in real life as it does on the pages of a magazine. I recall dresses from my own childhood, in the 1960's, that harked back to many of the design elements in this dress, which is probably an end-of-the war, or just post-war creation.
* The fitted bodice is very mid-twentieth century
* Dainty collars added a popular innocent look
* No-button buttons were a simple embellishment many home sewers added. Buttons were often recycled from worn-out garments, so sewists had them around
* Short puffed sleeves stayed in style for several decades, certainly through the seventies
* Yokes also stayed popular through the late seventies
* Lots of pretty edging and trims like these, served up on plain fabric backgrounds,  are really reminiscent of the mid-century, before the mid-sixties, when dresses got much shorter and styles became all about crazy prints. Sewing up prints was in vogue, because printed fabrics were suddenly much more affordable and available.

And what about that pocket!

I created a similar pocket on my favorite black velvet bath robe, a few years back, by angling out the sides of a rounded pocket pattern. This one looks even more full. I must try fooling around with a pocket pattern to get a similar effect.

The pocket also  dips down in a heart shape in the center. And what about that beautiful embroidered velvet trim! It really tops off the pocket nicely.

* Lots of detail on the yoke was again very popular. It works because of the plain-colored background, even this peach colored lace can be over-embellished. I think that trim worked with ribbon is called insertion.
* Dark colored velvet bows at the neckline have a very mid-twentieth-century look as well. Doris Day often wore bows like this in her movies, especially black ones. Velvet bows were also popular as hair adornments. That was a signature style for Rosemarie in the Dick Van Dyke show, of course. Well into the sixties we could buy velvet bows on hair clips at the 5 and 10 cent store. I guess that would be the 5 and 10 dollar store now!

Reflecting on styles that affected fashions from my childhood, and considering embellishment elements that still work today - That's the kind of thing that keeps me ...

Enchanted By Sewing!

Channeling Vionnet - Draping Inspiration

The Neo-Classic Look
 Ancient Greek styles inspired Vionnet to turned a design corner in western women's fashion

Some of my favorite Vionnet
creations are her petal dresses

Madeline Vionnet was a dressmaker in the great and traditional sense. Her job integrated an understanding of cloth, body, gravity and artistic sensibility. 

She had a natural hands on feeling for fit - an understanding between a piece of cloth and a woman's body.

She developed new ways of  working with gravity and the release of her cloth, to find the perfect hang of a garment.

She created beauty from cloth and form by draping, not from a sketch.

I know I'm residing in a corner of her atelier every time I setup Conchita, my dress form, and prepare my muslin.

Traveling back through time, to be inspired by Madame Vionnet is just one more thing that keeps me . . .

Enchanted by Sewing

A little tissue and inspiration from my Betty Kirke Vionnnet book
helps me to imagine creating the perfect petal dress.

It looks like Holly the Dolly is more suited to
rounded petals in the Petal Dress tissue pattern
I created for her.

~ ~ ~
Web Resources
http://thecoincidentaldandy.blogspot.com/2011/02/pythia-of-fashion-madeleine-vionnet-art.html