Cutting Out Aurora - The Princess-Seamed Test Garment

Dear Susan,

More progress on that princess-seamed shirt muslin (M6076)  ...

You and I talked last week, about the troublesome set in sleeves on my muslin. Too tight across the bicep, funny wrinkles in both front and back. You so kindly looked up an article for me as we talked about how I might redraft the sleeve pattern.

Did I read that article? Oh, after you spend time searching it out, I didn't!!!! Instead I realized that I was just so tired of putting my minimal sewing time into muslin work. I wanted to be able to get on with garment sewing - even if it wasn't believing I had a perfect pattern to use for my beautiful piece of Poppy and Honesty Liberty of London Tanna Lawn.

So I simply tried another sleeve - the one we drafted for our slopers, in sloper/moulage class. And you know, it just looked close enough for government work, when I safety pin basted the sleeves in. I had the full rotation for arm movement I needed, and didn't see funny pinches and wrinkles in the bodice. So I went ahead and cut out a test garment - Aurora - a 2 yard, 5 inch remnant from my fabric inventory. Aurora will serve the dual purpose of muslin - getting the sleeves working, and a garment I can wear. 

The garment is the story isn't it? And there comes a point when, I just want to quit drafting the tale, finish the editing, and get it out for reading.

http://www.ikatbag.com/2014/03/subtelties-in-drafting-sleeves.html

I gotta remember to Stay-Stitch those sleeves! Muslin: M6076 - Princess Seamed Shirt - Pattern Work

I cut out the muslin for this princess-seamed shirt a while back. It's the same pattern, M6076, I first started using to create my sleeveless Western Winds shirt back in the early fall. Now I'm continuing to create a sleeved version. This pattern has multiple princess-seamed options (a princess-seam can end up in different spots on the garment) and lots and lots of instruction sheet ideas for getting a good fit. A really good basic pattern.

I'm not instruction sheet oriented - so I have a tendency to forget about stay-stiching! And then I wonder why the sleeve stretches out of shape when I go to set it in! Same deal with other curved seam areas. And it's particularly important when I'm creating a muslin/toile - because this is the time for getting the seams to come together right .

Set in Sleeve test - the outer line is stay-stitching (regular stitch line).
The inner line is a basting stitch for easing or setting the sleeve cap into the
armscye (the curved opening in the bodice)

I added two tucks in the front of the sleeve cap, because after I measured the alterations to the bodice (the armscye line), 

I found that there was too much sleeve cap. I want only about 3/4" more in the sleeve cap, than in the armscye. Also I took note

as to the center of the sleeve - so I only altered the front, the back looks like it has about the right amount of extra.

I must admit, this is not exciting sewing. In the past I always just went ahead and sewed up a pattern and hoped for the best. But I've learned the value of a well fitting pattern. It means I'll get this one pattern working for me - and then I can just zip through future versions, knowing they'll look and fit great and I'll reach into the armoire for them again and again.

I added a one inch seam allowance for fitting a muslin/toile.
Learned this from Lynda Maynard.
I used a double Clover tracing wheel for this - it has two heads.

Pattern Work - Working For My Plaid - M6076 Princess Seamed - With Sleeves

Can't you just envision these pattern pieces and muslins as a red-plaid princess-seamed shirt?

In the November episode of the Enchanted by Sewing audio/pocast, I talked about sewing tartans and plaids. I also mentioned I have plans for a new red plaid, princess-seamed shirt, using M6076. As you may have noticed in my recent postings, Jasper-the-new-pooch has been sewing my slow sewing down even more. Still, I have gotten in some pattern work!

All four pattern pieces have a muslin attached. My next step is to transfer the seam lines onto the muslin, before I begin basting.

 I drew those seam lines  onto the pattern, based on the measurements I took from the sleeveless Western Winds shirt, which I created from this same pattern (altering to create a sleeved version as well as getting a good fit for me). I've really enjoyed wearing Western Winds and got quite a lot of late summer/early fall use out of that shirt - of course here in California it stays warm longer than much of the U.S.

For Western Winds, I cut back the top of the shoulder towards the neck, but I've dropped that back in place for this sleeved version. My new pattern includes lines for both sleeved and sleeveless versions. I  cut with room for either version, then use my clover wheel to lay down the armscye lines, then cut away what I don't need for the particular version I'm making. 

For more description, see my previous post- Sleeved to Sleeveless.

There's a good chance I'll be making a few more changes to the muslin, and therefore pattern, before I snip into that red plaid. I also plan to re-test the new pattern on another sleeveless version, sometime over the next few months. Tried and true patterns take a while to get just so, but they sure are worth their weight in gold.

I store in-progress muslins and pattern pieces clipped onto binder clips  hanging off cup hooks. That way they don't get wrinkles in between sewing sessions, and they all stay together.

French Pattern Drafting/Moulage: First Muslin Test of Back and Front Blocks

  
I detailed what I'm learning about  in my Moulage/French Pattern Drafting class with Lynda, in this post http://meencantacoser.blogspot.com/2015/02/drafting-my-back-block-learning-pattern.html

I added a sort of modesty skirt below the full hip line
Other ladies wore leggings or just winged it in their
intimate garments

This week....I zipped myself carefully into the muslin test I created from my back and front blocks, for Moulage class. Uh oh, I sewed the zipper inside out! I thought Lynda Maynard wanted our seams and darts on the outside.

Guess who wasn't listening properly in class last time?

A buddy in class managed to get the zipper tab up for me.

Not too many changes, but I still need to make those few, and make a new muslin for next week. I'm in good company though. I think there were only one or two people who didn't need Lynda to tweak theirs.

How about those lips?
I had the goofiest look on my face
I kind of like these lips I borrowed!

Reworking a Retro-Style Polka Dot Tee

 Way back when (OK it was a little over two years ago) . . .  I made the fitted, cowl neck tee shirt above. I journaled about my attitudes toward polka dots, as well as my attitudes about retro style inspired by I Love Lucy.

I'm a firm believer in not picking fault with my own sewing projects. So, at the time, I focused on what went right with my polka dot tee. I'll fess up now, however, that I wasn't perfectly happy with the project. Though I took it out of the drawer several times, finding both fabric and cowl neck appealing, I actually wore it only occasionally. And I'm glad to say that, because I had plenty of leftover fabric, I've got a chance to rework the tee. I started doing that this last week.

With my new tee, I'm working to improve the following:
a) The original tee shirt is just too short. It's OK tucked into my black trousers but it doesn't look quite right over a pair of jeans.
FIX- I added two inches to the length. The pattern showed lengthen or shorten at the hem.
b) There's something not quite right about the shaping on the side seams. It had a very slight drag. OK, I always noticed it because I sewed it. It wasn't that noticeable.
FIX- I'm so pleased I had written notes on the first version of the pattern I traced and used. Apparently I had reshaped the front using a Burda pattern, but I didn't reshape the back in a similar way. I don't know why I did that, but at least I know what happened! The adjustment was more sharply inset than the actual side seam I expect to use. This time I added extra at the side seam, even though I think I don't need it. I'd rather mark in the size I think I want, possibly reshape it a little more - both front and back!- and cut off the extra.
c) I didn't really like the look of the white fold over elastic I used. This time around I've bought black fold over elastic :-)
d) The cowl neck is self-lined. It didn't extend high enough, so that the spot where the lining hit showed when wearing it. 
FIX- I fixed this on the original garment by adding a strip of selvage. That worked fine, but since I'm remaking it I'm  extending the pattern for future versions.

So far . . .  I've traced a new master pattern, made the alterations and cut out most of the front out of an inexpensive commercial tee (as a muslin). I say 'cut out most' because the commercial tee isn't as long as I need it to be for the actual garment , but it will work for testing the pattern.

McCalls 6078

My version is style 'A'

1. Retro Inspiration: Sewing with Polka Dots

http://meencantacoser.blogspot.com/2012/06/part-1-retro-inspires-sewing-with-polka.html

2. Retro Polka Dots, Why I Don't Love Lucy

http://meencantacoser.blogspot.com/2012/06/part-2-retro-polka-dots-why-i-don-love.html

http://mccallpattern.mccall.com/m6078-products-10889.php?page_id=980

Inspired by Amy Adams - Creating the Perfect Shirt Dress For Me

Amy's modeling a shirt dress made up in  a paisley silk twill.
 I'm thinking of a nice rayon challis.
I'll also be using a waistline that suits my figure type.
No matter what fabric I make it up in, I'm pretty sure I'm going to need to find a nice grassy bank to pose on, when I get  my next shirt dress done!

Though I'm making plain sewing progress on the simple black denim skirt I talked about in my most recent Enchanted by Sewing audio podcast episode, I have been distracted by the idea of either draping or altering a pattern to create the perfect shirt dress pattern. That garment has been running around in my head since I took my draping class last year. At that time I was working towards creating a shirt dress, but didn't feel quite ready to create all the classic features of that type of dress. I did create a pattern I used for a really pretty linen dress with a front polka dot zipper that I like a lot, but with simpler details.

Amy's dress is more along the lines of the
full-skirted versions. I'm working on one of the
no-sewn/included waistline, to be worn with a wide
self-fabric belt that covers a 3" elastic.

Since I finished creating and producing last month's audio podcast, I'd been working on my skirt and also the muslin, and necessary pattern alterations to an out-of-print McCalls 3623 shirt dress (there are plenty of shirt dresses in current pattern catalog, and unused versions of this pattern are still available through many vendors on the web). Then I opened the Vogue August 2014 issue, turned to the article on redheads (photographed by the great Fran Leibovitz - can that woman take a bad photo?) and found Amy Adams wearing the quintessential paisley, silk twill shirt dress. 

Amy and I don't have the same figure types. She is more of an hour glass type and I'm a rectangle. So though I'm distracted by the idea of her full skirt with gathers, I'm still at work on my straight up and down shirt dress, complemented by a 3" wide elastic based belt.

I'll be creating a first test version of this dress in a pretty piece of rosy-peach linen-look material I picked up from the freebie counter at school. I've been using a black 3" wide elastic belt I already own over my muslin,  to test out the waist and hip style lines that belt will create. Wearing my peaches and cream dress (Of course I've already named it!) will help me make decisions about any changes I might want to make to the pattern, before I use it again.  I've been planning to create a version of this dress in a beautiful length of silk noil/raw silk that it's my fabric inventory. Now I've got plans for a rayon challis as well, inspired by seeing Amy in this dress.

Doesn't finding this article seem like a sign from beyond, that I really needed a well-fitting shirt dress pattern?

Being able to follow through on inspiration like this is one of many things that keeps me...

Enchanted by Sewing!

~ ~ ~

Web Resources

In my Enchanted by Sewing audio podcasts, I talk about wardrobe additions I've sewn and how I've sewn them, as well as garments I'm inspired to sew.

Amy Adams wearing a beautiful and sewing-inspirational silk twill shirt dress in Vogue's August issue for this year http://www.fabzz.com/amy-adams-annie-leibovitz-photoshoot-for-vogue-august-2014.html

Put a little Muslin Into It - Sleeveless Blouse from Shirt Pattern (B5526 Pattern Alteration)

If English isn't your first language.... I based the title for this posting on the English phrase/idiomatic expression "Put a little muscle into it", which is an encouragement to work hard.

As I mentioned in a recent blog posting, I've been working on altering my tried-and-true B5526 from a shirt to a sleeveless   somewhat fitted, summer blouse. Here's the muslin I created to help me decide how I want that blouse to fit. As you can see, I tried out the dart on one side to see if I wanted to just have that bit of fabric be loose and blouse or add fit. After trying the muslin on my own-self, I went in favor of the dart.

My dress form, Conchita, has been of immeasurable help to me in this endeavor as I 
a) Dropped the shoulder seam slightly forward
b) Decreased the torso girth
c) Added a waist to apex-of-bust dart.

Practicing my draping skills to make pattern alterations is the kind of thing that keeps me...

Enchanted by Sewing!

~ ~ ~

Web Resources

Planning for Rosa: My Summer Dream Blouse (Liberty of London Tana Lawn)

http://meencantacoser.blogspot.com/2014/07/fabric-for-rosa-summer-dreams-blouse.html

My Experiences Creating Two Different Dress Forms (Audio Podcast with show notes links to various blog postings)

http://www.enchantedbysewingpodcast.blogspot.com/2013/09/ench-by-sew-12-dress-forms.html